Yellowstone Public Radio

1500 University Drive
Billings, MT 59101-0298
406.657.2941
800.441.2941
406.657.2977 FAX

YPR Bison Logo

| Home | About YPR | YPR Broadcast Area | YPR Program Guide | Online Audio | YPR News Desk |
| Support YPR | Community Events | Underwriters | Contact YPR | Links | Site Map |

LISTEN ONLINE
Windows 80k
MP3 24k

YPR PROGRAM GUIDE

Program Guide
Program Grid
Program Highlights
Alphabetical Listing

PROGRAM LISTINGS

DAILY SCHEDULES
Monday
Tuesday
Wednesday
Thursday
Friday
Saturday
Sunday

ypradio.org > YPR Program Guide > Program Listings > Opera

Opera

Sundays, 7pm

World of Opera

Program Website: http://worldofopera.org/

World of Opera brings listeners compelling performances from top American and international opera companies. World of Opera encompasses the seminal operas of centuries past as well as today's masterpieces.


October 12
2014 Salzburg Festival

Vienna Philharmonic Orchestra
Vienna State Opera Chorus
Daniele Gatti, conductor

CAST: Anna Netrebko (Leonora); Placido Domingo (Count di Luna); Marie-Nicole Lemieux (Azucena); Francesco Meli (Manrico); Riccardo Zanellato (Ferrando); Diana Haller (Ines)

Verdi's complex tragedy has a story that verges on the outlandish, but its music has made it one of the most popular of all the composer's great operas, and it serves up an astonishing number of his most familiar melodies. This Salzburg production is one of the operatic year's outstanding events, with soprano Anna Netrebko as Leonora and Placido Domingo, continuing his remarkable exploration of Verdi's great baritone roles, as Count di Luna.

October 19
GIACOMO PUCCINI: Manon Lescaut

Festival Hall, Baden-Baden

Berlin Phiharmonic Orchestra
Vienna Philharmonic Chorus
Sir Simon Rattle, conductor

CAST: Eva-Maria Westbroek (ManonLescaut); Massimo Giordano (des Grieux); Lester Lynch (Lescaut); Lian Li (Geronte); Bogdan Mihai (Edmondo);Kresimir Spicer (Dancing Master); Arthur Espiritu (Lamplighter)

Massenet's version of the Manon story may win out when it comes to pure tunefulness, but if you're looking for outright passion, it's hard to beat Puccini. This production from the Baden-Baden Easter Festival comes to us belatedly, but it's worth the wait, with Eva-Maria Westbroek in the title role, plus Simon Rattle leading the Berlin Philharmonic.

November 2
GAETANO DONIZETTI: Maria Stuarda

Royal Opera House, London

Royal Opera House Orchestra and Chorus Betrand de Billy, conductor

CAST: Joyce DiDonato (Maria Stuarda); Carmen Giannattasio (Elisabetta); Ismail Jordi (Roberto); Jeremy Carpenter (Lord Cecil); Matthew Rose (Giorgio Talbot); Kathleen Wilkinson (Anna Kennedy)

In operas from Elizabeth at Kenilworth to Anna Bolena, Donizetti seemed fascinated by the intrigues and rivalries of British royalty. This example deals with the complex relationship between Elizabeth I and Mary Stuart -- also known as Mary, Queen of Scots.

November 9
P. I. TCHAIKOVSKY: The Enchantress

Theater an der Wien, Vienna

Arnold Schoenberg Chorus ORF Radio Symphony Mikhail Tatarnikov, conductor

CAST: Vladislav Sulimsky (Prince Nikita Kurlyatev); Agnes Zwierko (Princess Yevpraksiya); Asmik Grigorian (Nastasya); Maxim Aksenov (Prince Yuriy); Vladimir Ognovenko (Mamirov); Hanna Schwarz (Nenila); Martin Winkler (Kudma); Martin Snell (Foka); Natalia Kawalek-Plewniak (Polya)

In this fascinating drama, the title character is a brazen seductress who finds redemption in true love, but in the process brings tragedy to an entire family. Tchaikovsky struggled with the complexities of the plot, yet brought the story to life with some of his most brilliant music.

November 16
GIOACHINO ROSSINI: Armida

Rossini Opera Festival, Pesaro

Orchestra and Chorus of the Teatro Comunale, Bologna Roberto Abbado, conductor

CAST: Carmen Romeu (Armida); Antonino Siragusa (Rinaldo); Dmitry Korchak (Gernando and Carlo); Carlo Lepore (Idraote and Astarotte); Randall Bills (Gofredo and Ubaldo); Vassilis Kavayas (Eustazio)

The story of the sorceress Armida, from Torquato Tasso's epic poem Jerusalem Liberated, has been set by several great composers -- including Dvorak, Handel and Haydn -- as well as any number of lesser lights. But of all those versions, Rossini's lively opera just may be the best.

November 23
MODEST MUSSORGSKY: Boris Godunov

Finnish National Opera, Helsinki

Finnish National Opera Orchestra and Chorus Michael Güttler, conductor

CAST: Matti Salminen (Boris Godunov); Jyrki Anttila (Shuysky); Koit Soasepp (Pimen); Mika Pohjonen (Grigoriy, the Pretender); Ann-Marie Heino (Fyodor); Anna Kristina Kaappola (Kseniya); Niina Keitel (Marina); Hannu Niemela (Rangoni); Hannu Forsberg (Varlaam); Aki Alamikkotervo (Misail); Evgeny Akimov (The Holy Fool)

Deeply rooted in the country's colorful history, Mussorgsky's epic may be the most famous of all Russian operas. Bass Matti Salminen does a star turn as the tormented title character, in a first-rate production from Finland.

November 30
GIUSEPPE VERDI: I Due Foscari

Royal Opera House, Covent Garden

Royal Opera House Orchestra and Chorus Antonio Pappano, conductor

CAST: Placido Domingo (Francesco Foscari); Francesco Meli (Jacopo Foscari); Maria Agresta (Lucrezia); Maurizio Muraro (Jacopo Loredano); Samuel Sakker (Barbarigo); Rachel Kelly (Pisana)

One of Verdi's darkest dramas, I due Foscari is also one of his most striking -- a compelling story of deadly intrigue and political treachery set against the historical backdrop of 15th-century Venice. This production features Placido Domingo continuing his extraordinary career, and his remarkable exploration of Verdi's many great baritone roles.

December 7
P. I. TCHAIKOVSKY: The Queen of Spades

Philharmonie, Munich

Bavarian Radio Symphony Orchestra and Chorus Mariss Jansons, conductor

CAST: Misha Didyk (Herman); Larissa Diadkova (Countess); Tatiana Serjan (Lisa); Alexey Shishlayev (Count Tomsky); Alexey Markov (Prince Yeletsky); Vadim Zapletchny (Chekalinsky); Tomasz Slawinski (Surin); Makhail Makarov (Chaplitsky); Oksana Volkova (Pauline)

Gambling has gotten lots of folks in trouble, but few more dramatically than the unfortunate character Herman in Tchaikovsky's opera. Based on a chilling story by Pushkin, the operatic version is no less disturbing than the original.

December 14
GIOACHINO ROSSINI: The Voyage to Reims

Belcanto Opera Festival, Bad Wildbad

Virtuosi Brunensis Poznan Bach Chorus Antonio Fogliani, conductor

CAST: Alessandra Marianelli (Madame Cortese); Sofia Mchedlisvili (Countess di Folleville); Laura Giordano (Corinna); Marianna Pizzolato (Marchesa Melibea); Maxim Mironov (Count di Libenskof); Bogdan Mihai (Chevalier Belfiore); Mirko Palazzi (Lord Sidney); Mysketa Gezim (Don Alvaro); Bruno Pratico (Barone di Trombonok); Bruno De Simone (Don Profondo)

This score by Rossini is alternately called a dramma giocoso and a "scenic cantata." Either way, it's right at home in the theater, and contains some of the composer's most brilliant vocal writing.

December 21
JOHN ADAMS: El Niño

2014 Spoleto Festival USA

Spoleto Festival USA Orchestra Westminster Choir Joe Miller, conductor

CAST: Erica Brookhyser (Mezzo-Soprano); Daniel Bubeck (Countertenor 1); Brian Cummings (Countertenor 2); Caitlin Lynch (Soprano); Steven Rickards (Countertenor 3); Mark Walters (Baritone)

John Adams, Pulitzer Prize-winner and arguably America's best-known living composer, describes El Niño as, “my way of trying to understand what is meant by a miracle." This sweeping setting of the Christmas story is both compellingly contemporary and filled with ancient traditions, including medieval carolers, Latin American poets, and an ethereal children's chorus. As the New York Times put it, "El Niño bears so many gifts that the senses stagger under the load."

December 28
GAETANO DONIZETTI: The Elixir of Love

Royal Opera House, London

Royal Opera House Orchestra and Chorus Daniele Rustioni, conductor

CAST: Vittorio Grigolo (Nemorino); Lucy Crowe (Adina); Bryn Terfel (Dr. Dulcamara); Levente Molnár (Belcore); Kiandra Howarth (Giannetta)

There's not a lot to be taken seriously in this comic romp by Donizetti -- unless, of course, you count the music! It's some of Donizetti's finest, and takes the opera beyond the world of farce to a place where simple confidence leads to life-changing revelations.

 

 

 


| Home | About YPR | YPR Broadcast Area | YPR Program Guide | Online Audio | YPR News Desk |
| Support YPR | Community Events | Underwriters | Contact YPR | Links | Site Map |