Ilana Masad
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Ursula Villarreal-Moura's debut novel movingly portrays its protagonist coming to terms with an imbalanced, difficult, and sometimes harmful friendship that was also a key part of her life for years.
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The novel is an ambitious project, written by 36 authors yet achieving a unified voice of sorts, as every character narrates their story simply, casually, allowing themselves digressions and asides.
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Métis writer Michelle Porter has created beauty from the ugliness of colonization, loss, addiction, abandonment, and grief in her debut novel that finds motherhood at its heart.
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Isle McElroy's novel covers a deep exploration of marriage, love, and the ways we know one another — while also touching on how so much of how we navigate the world depends on how it sees us.
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Mai Nguyen's debut novel centers on the family of Tuyet and Xuan Tran, Vietnamese refugees who settle in Toronto. It simmers with questions about work, class and generational divides.
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John Wray's latest novel is a powerful and juicy story about a particular time, subculture, and the ways people can find themselves in — or can deliberately disappear into — fandom.
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A study finds that we are happier the more we talk with different categories of people — colleagues, family, strangers — and the more evenly our conversations are spread out among those groups.
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Erin Khar's son, at 12, asked her if she'd ever used drugs; this book is her answer: "When we write the truth, when we write about our experiences, we reflect back what it means to be a human being."
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Amber Sparks' new story collection is full of vivid language, compelling imagery, sharp wit and tenderness; many of the pieces also share a thread of anger in their treatment of the patriarchy.
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Ben Okri's new novel begins with a prison, which preoccupies his characters — where is it? What is it? Who's in it? It's a deceptively simple read that wrestles with deep questions about humanity.